Hayley article from Feb 17th

xcept · Posted: Thu Mar 02, 2006 11:08 pm Post subject: Hayley article from Feb 17th

America next world for Westenra to conquer
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Don't call singer Hayley Westenra a diva. It just makes the 18-year-old New Zealander burst into peals of laughter.

"It's one of those terms that people like to use. Maybe it sounds glamorous, but it just makes me laugh," she says during a phone conversation from her home Down Under.

Westenra toured the United States last year on the heels of her 2004 debut album, "Pure." At 18, she has sold more than 2 million CDs worldwide, enjoying most of her success across the pond and in Asia -- for now. Described in a New York Times review as having "the voice of angel," Westenra is constantly described in the same breath as the latest Charlotte Church or Sarah Brightman or even Enya. She shrugs off those comparisons, too.

Westenra's vocals, as evidenced further by her release last year of "Odyssey," (Universal Classics), are truly pop-classical (yes, with splashes of Enya around the edges), with a voice that's equally at home on Joni Mitchell's "Both Sides Now" as it is on Vivaldi's "River of Dreams."

The young star, who played Carnegie Hall when she was just 15 and who has performed duets with the likes of Andrea Bocelli, Russell Watson and Jose Carreras, opens for Il Divo at the Chicago Theatre tonight.

Q. You're only 18, but you and music go way back.
A. I learned to play violin, piano and the recorder at a very young age, and I studied ballet. But I realized when I was about 8 or 9 that music was my passion. I used to sing around the house, and it wasn't until I got my first solo in a school Christmas play that me and my family learned that I had a real voice.

Q. What's it like to sell 2 million records at 17?
A. It was just overwhelming. I was suddenly singing for presidents and the Queen and traveling the world, and it was all really surreal. In a lot of ways, it still is.

Q. Do you get the star treatment when you're back home?
A. [Laughing] I'm pretty well-known here, so the paparazzi do follow me around. Grocery shopping takes half a day, just to try to lose the photographers and to stop to say hello to fans and such. In London, where I live most of the time now, I'm not as well-known yet, so I can still venture out pretty easily and anonymously.

Q. Tell me about your "busking" days in New Zealand.
A. It started as a pastime when I was about 11. I was part of a children's group and we were performing at a festival. When we broke for lunch, some of us didn't have money for it, so we just started singing on the street corner. Then we realized we liked it and we could make money doing it. The hardest part is breaking the silence, but once you start singing and the people gather round, it's quite nice. I loved it. I was getting great pocket money out of it. I used most of the money to pay for the first real recording of me doing a few songs. That little demo CD led to me getting a record contract in New Zealand.

Q. Who's on your iPod these days?
A. Joni Mitchell, Secret Garden. I adore Celtic folk music, so I have lots of that on there. Andrea Bocelli, too.

Q. What's your guilty pleasure?
A. On the road I'm very disciplined when it comes to sweets, but when I'm home I just live for cookies and chocolate. I can't help it.

source: http://www.suntimes.com/output/music/wkp-news-westenra17.html
BY MIRIAM DI NUNZIO

xcept · Posted: Wed Mar 08, 2006 12:23 pm Post subject:

A down-to-earth teen star Hayley Westenra has topped the pop charts from Britain to Japan, but her New Zealand roots have kept the singer well grounded, she tells Steven Mazey.

Steven Mazey, The Ottawa Citizen
Published: Wednesday, March 01, 2006

She was on the phone to talk about her three-night gig with the National Arts Centre Orchestra this week, but the 18-year-old New Zealand singer also had a question for an Ottawa reporter: Would she be able to skate on the Rideau Canal when she arrived in the city this week?

"I've heard a lot about the ice skating in Ottawa. I'm not a great skater, but I'd love to try it if the ice is open," said Hayley Westenra, whose first album, Pure, recorded when she was just 15, sold nearly two million copies. It made the pop charts in Britain, Japan and Australia and made Westenra New Zealand's biggest musical export since Kiri Te Kanawa.

Though she's not yet a household name in North America, Westenra has topped charts in Britain, Australia, Japan and Hong Kong. She's sung for the Queen and Tony Blair, she's performed concerts at Carnegie Hall and the Sydney Opera House, she appeared on the U.S. television series American Dreams, and she once sang for a crowd of 200,000 in her home country. She's sung duets with Welsh baritone Bryn Terfel and, on her most recent CD, Odyssey, tenor Andrea Bocelli.

So it's refreshing to hear her still sounding like a bubbly teenager as she talks about looking forward to a taste of Canadian winter and the possibility of outdoor skating. In an interview, she's thoughtful and articulate, with none of the jaded, been-there-done-that tone or the self-absorption that has been known to develop in teenage pop or film stars who suddenly find themselves making large amounts of money and having their lives managed by agents and publicists.

On Pure and on Odyssey, which Universal Records released in Canada last fall, Westenra applies a sweet, pure-toned soprano to folk, pop and light classical and opera tunes in sometimes new-agey arrangements.

"If you like the singer Enya, then Hayley will be a very special treat!" the NAC says in its ads for the concerts. Westenra's sound and style also recall British soprano Sarah Brightman and the young Welsh soprano Charlotte Church, to whom Westenra has often been compared. Like Church, there's a certain sameness to Westenra's interpretations, and she has the limited emotional range you'd expect in a singer who is still in her teens. But it's a sound her fans love, and it's kept her busy on the international concert circuit for the last three years.

It's the kind of success that could easily overwhelm a teenager, but Westenra says she's managed to keep level-headed about it all. Until a year ago, she says, one of her parents travelled with her for all of her concert tours, and though she now travels on her own and lives in London, Westenra keeps in touch with her family and visits regularly.

"My parents have made a huge difference to my state of mind as I've gone through all of this, and I've got a lot to thank them for," says Westenra, who grew up in the southern New Zealand city of Christchurch. "They've been my sounding board on everything. I think my New Zealand upbringing helps as well. It's a very grounding, wholesome kind of place, and if you can hold on to that amongst all the craziness of the showbiz world, you're doing OK."

When the Citizen caught up with her last week, she was in Seattle, where she was opening for the pop-classical male quartet Il Divo. She has been touring the U.S. with the singers and in the spring will tour Europe with the quartet, a trip that will keep her on the road and living in a suitcase through May.

Her performance in Ottawa, in which she will join the NACO as part of its pops concert series, is her second engagement with the orchestra.

Westenra made her Canadian debut at the NAC in 2004, in the orchestra's sold-out performances of music from the Lord of the Rings.

For this week's performances, Westenra will be featured in the second half of the concert. Conductor Jack Everly will conduct light classics in the first half, followed by Westenra with the kind of mix that has marked her recordings and concert tours. She'll offer May It Be from Lord of the Rings, the Maori song Pokarekare Ana, Orff's In Trutina from Carmina Burana, the Puccini aria O mio babbino caro, the Pie Jesu from Andrew Lloyd Webber's Requiem and Amazing Grace.

While classical music purists raise eyebrows at the idea of singers as young as Westenra and Charlotte Church tackling opera selections when they haven't developed the proper vocal technique to sing them, Westenra says she's aware of the limits of her 18-year-old voice, and she and her teachers choose her classical pieces carefully.

She can handle the brief and hummable Puccini aria, for example, but she's not planning to tackle Wagner.

"Classical pieces are more demanding than folk or pop material," says Westenra, who continues to work with voice teachers in London and New Zealand when she isn't on tour. "I'm very aware of what I'm capable of. When I do classical repertoire, I never push myself to do pieces that I'm not ready for, and there's no one else trying to push me to do them, either.

"I'm very conscious about the state of my voice, and I'm quite disciplined about trying to rest it between performances as much as I can, although with the kind of back-to-back concerts you sometimes do on tour it can be hard. But I trust my gut instinct on vocal matters, and I think I'm doing OK."

She says her love of singing started early, when she sang in choirs and community musicals, and she sometimes busked with friends on street corners to earn some spending money. She used the proceeds from her busking for a demo CD that helped her land a record contract in New Zealand.

She says some teachers who heard her sweet but untrained soprano when she was in her early teens suggested she should pursue serious vocal training with an eye to a possible career in opera. But she didn't want to be limited to one kind of music.

"I love so many different styles, and I'd hate to restrict myself. What I'm doing now is obviously not the road to an opera career. If I decide one day I wanted to pursue that route, if I've been careful, I think I could still pursue that.

"I don't think I'm damaging my voice by singing pop or folk. I want the opportunity to explore and find my musical niche. I'm really still developing my own sound and style."

She says the music on her iPod lately has ranged from classical ("when I want to de-stress") to the Beatles and Aretha Franklin.

"Sometimes I put on a bit of Aretha to get me going in the morning. I Say a Little Prayer is one of my favourites."

She says her British manager helps her to decide how much touring to take on, but she's also learned over the past few years how much she can handle and still keep her voice in good shape.

"I've been in situations where I felt I was really pushing myself. But you learn from that, and you're careful how to pace yourself. This tour with Il Divo has been gruelling at times, but the performances have been phenomenal, the audience is enthusiastic, and I'm thriving on that."

Asked what she has enjoyed most about her success, she says it's simply "the opportunity to do what I love full time. I'm getting to live out a dream. Travelling can be tiresome, but it's also an amazing experience that has introduced me to new cultures, new countries."

She's happy to hear that the Rideau Canal is just steps from the stage door of the NAC. With the cold weather of recent days, you might just find her there, gliding along the ice between concerts.

xcept · Posted: Wed Mar 08, 2006 12:31 pm Post subject:

The house lights slowly fade to black amid the fluttering of programs and the nervous whispers of ushers hurrying to seat latecomers.
The expectant mood is calmed by the hypnotic strain of a single pan flute floating through Boston's palatial Wang Theater.
A dusky illumination comes up on stage to show a small but powerful combo of just four additional pieces ‚Äî piano, rhythm guitar, bass and drums.
Without fanfare, the poised 18-year-old chanteuse from Christchurch, New Zealand, confidently strolls to center stage, raises the microphone to her lips and offers her signature song, "Pokarekare Ana," a heartfelt folk tune lamenting the separation of lovers.
Hayley Westenra doesn't have to embellish the moment or do much more than this, but she does. Her delivery packs a wallop in its simplicity as she responds to a remarkable vocal ability, almost seeming to be under her own spell.
The audience's attention is gripped as she silences the 3,700-seat hall with a strong, sure, perfectly pitched soprano that could, quite literally, be a gift from a deity.
For most adolescents, the three-year span between the ages of 15 and 18 inches along at a snail's pace. Miss Westenra, however, has not spent the last three years idly crossing off days on a calendar. In fact, her down time is limited. She still completes school assignments on the road, and looks forward to visiting with friends when she returns home. When possible, her parents travel with her. She calls her Mum her hero.
"My friends tease me about my career, going all over the world but when I come home, it's like nothing has changed," she says. A new pair of sassy jeans, high-heeled boots and feminine blouses are the wardrobe accoutrements for hanging out as well as concert appearances.
At 15, Ms. Westenra's rise to international performing status was boosted by her first CD, "Pure," (Universal Classics Group, Decca Records), which soon topped the charts at home in New Zealand and Australia, and ultimately graced European and North American markets.
While promoting the CD, she performed before the Queen of England, Prime Minister Tony Blair and President George W. Bush. She became one of the youngest artists to perform at New York's Carnegie Hall, a historic benchmark of success, and has also concertized at Sydney Opera House in Australia as well as Great Britain's Royal Albert Hall and Wembley Arena.
Unlike many teenagers, Ms. Westenra has seen much more than the insides of planes, tour buses, dressing rooms and concert halls in her travels. Some of her most vivid memories come from a trip to Ghana, where she served as a United Nations ambassador.
"It is the complete polar opposite of everything we know in our own lives," she says.
At 18, Ms. Westenra's recently released second CD, "Odyssey" (also on the Universal Classics, Decca label) clearly signals a mature and diverse musical journey and coincides with her privileged slot as opening act on the 2006 World Tour by Il Divo, the internationally acclaimed, pop opera male singing group.
"There is something for everyone" on "Odyssey," she says.
Unlike many recording artists, who churn out the same melodic note by fits and starts for the duration of a CD, Ms. Westenra takes listeners on a diverse musical junket, featuring comfortable folksy favorites such as "Both Sides Now", a powerful variation of "Ave Maria," an upbeat, bluesy attitude in "I Say Grace" and a commanding choral punch in "Prayer."
Her cross-genre appeal is delightfully evident in "Dell'Amore Non Si-Sa," a beautiful duet with Andrea Bocelli, and "She Moves Through The Fair," a dreamy, tonal piece, spiced with Celtic flavor.
Ms. Westenra's personal "odyssey" appears be buoyed by a spiritual component, fueling her tireless dedication to the business of concert appearances and recording tasks. Yet, she remains grounded by the close support of family and friends and the guidance and inspiration of her upbeat manager, Steve Abbott, while bowing to the rising demand from admiring fans for more.
In summing up her feelings about the whirlwind career that has blossomed for her over the past three years, she hesitates for just a moment then clearly utters one word. "Blessed."

source:Far from an average teenager
By Lorraine Lucciola, Standard-Times correspondent